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(Created page with "onide s Declin e f Maine Shipping Rachel Field Her 1 Tlme Out of Mind" lavishes u-3 on the Maine coast. i by other writers come to one reads Rachel Field's story of the de...")
 
Line 1: Line 1:
onide s Declin e
+
[This is a newspaper clipping]
f Maine Shipping
 
  
Rachel Field
+
Chronicles Decline
Her
+
Of Maine Shipping
  
1
+
[Photograph]
 +
Drawing by Marcel Maurel
  
Tlme Out of Mind" lavishes
+
Rachel Field
u-3 on the Maine coast.
+
Her "Time Out of Mind" lavishes affection on the Maine coast.
i
+
                          ____________
 
 
by other writers come to
 
one reads Rachel Field's
 
story of the decline of
 
most picturesqUfl industry,
 
 
 
Out of Mind" (MacMill an)
 
the same despairing realizachange that marked Isabel
 
'Shipmate s" and Mary Ellen
 
ary Peters." In It, too Is a
 
who must have stepped
 
1,,ct
 
r gnt
 
of the pages of Dickens'
 
Blea:- 1 ouse," !or Major Fortune is
 
exactJ,· ke the hard-hea rted father
 
of the f st part of the earlier novelt's b O • But the aim of the author
 
Im 1 to that of Robert P. Trisfin, who In his. last novel.
 
radlse," told of a beautiful
 
the effect upon him of Its
 
g charm. It Is her diurnal
 
on· of the Maine coast, re•f season, that gives "Time
 
ind" its continued flush of
 
 
 
m
 
  
1
+
Book by other writers come to mind [illegible] one reads Rachel Field's poignant story of the decline of Maine's most picturesque industry, shipping.
  
ni,
+
"Time Out of Mind" (MacMillan) has in it the same despairing realization of change that marked Isabel Carter's "Shipmates" and Mary Ellen Chase's "Mary Peters."  In it, too is a character who must have stepped
 +
right out of the pages of Dickens' "Bleak House," for Major Fortune is exactly like the hard-hearted father
 +
of the first part of the earlier novelist's book.  But the aim of the author is similar to that of Robert P. Tristram Coffin, who in his last novel, "Lost Paradise," told of a beautiful State and the effect upon him of its unchanging charm.  It is her diurnal appreciation of the Maine coast, regardless of season, that gives "Time Out of Mind" its continued flush of beauty.
  
:e
+
Kate came to Fortune's Folly at the age of 10 and  straightway fell in love with the "strange brightness" of  the gulls' breasts and wings, the smell of wild strawberries in late June, the wedges of geese flying South, the gleam of Wale Back Light, the restless beauty of the sea—in short, Maine.
  
lite
+
Fortune's Folly, one of many luxurious homes built by sea captains, was owned by the Major.  A hard man was
to Fortune's Fo!,ly at the
+
Major Fortune in his dealings with men and women, but in matters pertaining to sailing ships he was sentimental. Although the age of steam had long since dawned and the Atlantic cable long been laid, he still persisted in facing toward the 1850s, the age of the great clippers, the great whalers. His daughter, Rissa, he understood, but his son, Nat, he did not. The hard and fast rule was that the sea was worthy of a man's best efforts, piano-playing fit only for women.  Locking up the piano, however, did not keep tunes from running in the boy's head.  Sending him off to sea only served to make greater his triumph when he played a sea symphony
ag of Jl and straightw ay fell in love
+
before a hushed audience in a great city.
with ti.: "strange brightnes s" of the
 
gulls' 1:iei.sts and wings, the smell of
 
wild srawbr•rl es in late June, the
 
I'd e.s of geese flying South, the
 
gleam If Wa e Back Light, the restleu t,?!Ut.y of the sea-in short,
 
Mwie
 
  
o y. one of many luxurious ho es b lilt by sea captains, was
+
Circumstances forced Kate to remain in the big house while Nat reached the heights of success and Rissa married. More and more tourists were visiting Maine and Kate's suitor, Jake, saw gold in clams, home-grown produce and the great pines. The woodsmen came and destroyed a wealth of beauty. Cheaply constructed cottages appeared on the headlands. The Major shut himself up in his house and died there in despair. When Nat, broken in spirit after an ill-considered marriage,
owned Y t
+
came home, Kate gave up her future and threw away her reputation in his behalf.  Spinsterhood beckoned, but
Major. A hard man was
+
she was content.
Major ?or• ne in his dealings with
 
men an w1.1.nen, but in matters pertaining o<> sailing ships he wa.~ senhnenta.i_ Alt.hough the age of steam
 
had loiJ .~Ince dawned and the Atlant\c ·,ablP. long been laid, he still
 
perslste< In facing toward the 1850s,
 
he age f · 1e great clippers, the great
 
hil ler· H daughter, Rlssa, he uner t 00 . but his son, Nat, he did not.
 
e J:u d and fast rule was that the
 
wi ~:orthy of a man's best eftor,s piano-pla ying flt only for
 
women. Locking up the piano, however dli not ke,e p tunes from running m th,: boy's head. Sending him
 
of
 
a >nly served to make greater
 
~ -- ·,.••. • h wben.. be playeEi a -uea:·
 
before a hushed audience
 
city.
 
.ances forced Kate to re-big house while Nat
 
1eights of success and
 
,..,,
 
More ·and mor,e tourvisiting Maine and Kate's
 
CP, ·:tW gold in clams, homeoduce· and the great pines.
 
smr n came and destroyed
 
01 beauty.
 
Cheaply concottages appeared on the
 
,
 
• s.
 
The Major shut himFC'lf up In l .s house and died there
 
in despair. When Nat, broken in
 
spirit after a a ill-consid ered marriage,
 
carri~ hom<'. Kate gave up her future
 
and thr!'w ~way her reputatio n in his
 
~h al!, Spinsterh ood- beckoned, but
 
sh, was cnn tent.
 
' " rtme 0•1t Of Mind" is stereotyp1ed in
 
mechanic s. So far as
 
plo t !l'OCS, 1e story has been written
 
. e al hm~s before. The author overun rn s the character s of Rissa and
 
thi
 
e 1or and leaves several questlo ns nnn•;wered. But regardless of
 
1 a · In technique and occasiona l
 
1 trice :ess. "rime Out Of Mind" ranks
 
high among the books written about
 
, ine. The swell of a real sea and
 
the sturdines s of a race are In Its
 
page~, l ··: 1ging It to life.
 
  
+
"Time Out Of Mind" is stereotyped in its mechanics.  So far as plot goes, the story has been written several times before. The author overdraws the characters of Rissa and
 +
the Major and leaves several questions unanswered.  But regardless of mistakes in technique and occasional triteness, "Time Out Of Mind" ranks high among the books written about Maine.  The swell of a real sea and the sturdiness of a race are in its pages, bringing it to life.

Revision as of 22:49, 15 March 2017

[This is a newspaper clipping]

Chronicles Decline Of Maine Shipping

[Photograph] Drawing by Marcel Maurel

Rachel Field Her "Time Out of Mind" lavishes affection on the Maine coast.

                          ____________

Book by other writers come to mind [illegible] one reads Rachel Field's poignant story of the decline of Maine's most picturesque industry, shipping.

"Time Out of Mind" (MacMillan) has in it the same despairing realization of change that marked Isabel Carter's "Shipmates" and Mary Ellen Chase's "Mary Peters." In it, too is a character who must have stepped right out of the pages of Dickens' "Bleak House," for Major Fortune is exactly like the hard-hearted father of the first part of the earlier novelist's book. But the aim of the author is similar to that of Robert P. Tristram Coffin, who in his last novel, "Lost Paradise," told of a beautiful State and the effect upon him of its unchanging charm. It is her diurnal appreciation of the Maine coast, regardless of season, that gives "Time Out of Mind" its continued flush of beauty.

Kate came to Fortune's Folly at the age of 10 and straightway fell in love with the "strange brightness" of the gulls' breasts and wings, the smell of wild strawberries in late June, the wedges of geese flying South, the gleam of Wale Back Light, the restless beauty of the sea—in short, Maine.

Fortune's Folly, one of many luxurious homes built by sea captains, was owned by the Major. A hard man was Major Fortune in his dealings with men and women, but in matters pertaining to sailing ships he was sentimental. Although the age of steam had long since dawned and the Atlantic cable long been laid, he still persisted in facing toward the 1850s, the age of the great clippers, the great whalers. His daughter, Rissa, he understood, but his son, Nat, he did not. The hard and fast rule was that the sea was worthy of a man's best efforts, piano-playing fit only for women. Locking up the piano, however, did not keep tunes from running in the boy's head. Sending him off to sea only served to make greater his triumph when he played a sea symphony before a hushed audience in a great city.

Circumstances forced Kate to remain in the big house while Nat reached the heights of success and Rissa married. More and more tourists were visiting Maine and Kate's suitor, Jake, saw gold in clams, home-grown produce and the great pines. The woodsmen came and destroyed a wealth of beauty. Cheaply constructed cottages appeared on the headlands. The Major shut himself up in his house and died there in despair. When Nat, broken in spirit after an ill-considered marriage, came home, Kate gave up her future and threw away her reputation in his behalf. Spinsterhood beckoned, but she was content.

"Time Out Of Mind" is stereotyped in its mechanics. So far as plot goes, the story has been written several times before. The author overdraws the characters of Rissa and the Major and leaves several questions unanswered. But regardless of mistakes in technique and occasional triteness, "Time Out Of Mind" ranks high among the books written about Maine. The swell of a real sea and the sturdiness of a race are in its pages, bringing it to life.