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| − | PERSPECTIVE PAGE | + | PERSPECTIVE[bold] PAGE[bold] 4[bold] |
| − | + | PROFILE[bold] | |
| − | PROFILE | ||
The career of James M. Carpenter, member of | The career of James M. Carpenter, member of | ||
| − | the Maine State Commission on the | + | the Maine State Commission on the Arts and Human- |
ities, has been closed connected with the develop | ities, has been closed connected with the develop | ||
ment of the Art Department at Colby College, Waterville. | ment of the Art Department at Colby College, Waterville. | ||
| − | Carpenter, in the early | + | |
| + | Carpenter, in the early 1950's was the sole mem- | ||
ber of that department which now consists of four | ber of that department which now consists of four | ||
teaching members and a museum director. | teaching members and a museum director. | ||
| − | Receiving AB and PhD degrees at Harvard Uni | + | |
| + | Receiving AB and PhD degrees at Harvard Uni- | ||
versity, he taught in the Fine Arts Department at | versity, he taught in the Fine Arts Department at | ||
Harvard prior to joining the Colby faculty in 1950. | Harvard prior to joining the Colby faculty in 1950. | ||
He has been Professor of Art and Chairman of the | He has been Professor of Art and Chairman of the | ||
| − | Art Department at Colby since 1954 and was | + | Art Department at Colby since 1954 and was d-i |
rector of the Art Museum there from its beginning | rector of the Art Museum there from its beginning | ||
| − | in | + | in 1959 to 1966. |
| − | Carpenter's teaching | + | |
| + | Carpenter's teaching has included drawing and | ||
painting and now, primarily, art history and criticism. | painting and now, primarily, art history and criticism. | ||
He has supervised many exhibitions at Colby, some | He has supervised many exhibitions at Colby, some | ||
| Line 27: | Line 29: | ||
Tradition" and a portion of "Maine and its Role | Tradition" and a portion of "Maine and its Role | ||
in American Art." | in American Art." | ||
| + | |||
Carpenter is a member of the Board of Trustees | Carpenter is a member of the Board of Trustees | ||
of Haystack Mountain School of Crafts at Deer Isle | of Haystack Mountain School of Crafts at Deer Isle | ||
| Line 32: | Line 35: | ||
School of Painting and Sculpture. | School of Painting and Sculpture. | ||
| − | GRANT-IN-AID | + | GRANT-IN-AID[bold] |
| + | |||
There is a change in procedure for grant-in-aid | There is a change in procedure for grant-in-aid | ||
applications for Arts and Humanities projects in | applications for Arts and Humanities projects in | ||
| − | the fiscal year | + | the fiscal year 1971 (July 1970-June 30, 1971). |
Deadlines for application submission are set for | Deadlines for application submission are set for | ||
| − | May 1, | + | May 1, 1970, September 15, 1970, and December |
1, 1970. | 1, 1970. | ||
| + | |||
As another change in procedure, the Commission | As another change in procedure, the Commission | ||
| − | must have more lead time for consideration of | + | must have more lead time for consideration of pro- |
jects. Therefore, no project should be scheduled | jects. Therefore, no project should be scheduled | ||
| − | to begin | + | to begin earlier than three months after the submission |
deadline. | deadline. | ||
| − | Detailed information for applications and appli | + | |
| + | Detailed information for applications and appli- | ||
cation blanks may be obtained from the Commission. | cation blanks may be obtained from the Commission. | ||
| − | Obviously, those projects that are submitted | + | Obviously, those projects that are submitted for the |
earliest dates will have the best opportunity for | earliest dates will have the best opportunity for | ||
funding. Do not wait for the final date to submit | funding. Do not wait for the final date to submit | ||
your applications. | your applications. | ||
| + | |||
| + | PUPPET[bold] THEATRE[bold] SCHEDULE[bold] | ||
Local arrangements are completed for the first | Local arrangements are completed for the first | ||
| Line 56: | Line 64: | ||
Nights" April 6-12, under the sponsorship of the | Nights" April 6-12, under the sponsorship of the | ||
Commission. | Commission. | ||
| − | The project is being co-sponsored and adminis | + | |
| + | The project is being co-sponsored and adminis- | ||
tered by the State Touring Theatre Foundation, Inc. | tered by the State Touring Theatre Foundation, Inc. | ||
Mrs. Betsey Hinckley of East Winthrop is directly | Mrs. Betsey Hinckley of East Winthrop is directly | ||
| Line 62: | Line 71: | ||
which is following tours in New Hampshire and | which is following tours in New Hampshire and | ||
Massachusetts. | Massachusetts. | ||
| + | |||
The schedule will be as follows: Monday, April | The schedule will be as follows: Monday, April | ||
6, Waterville High School auditorium, performances | 6, Waterville High School auditorium, performances | ||
3:30 and 7 p. m.; April 7, Portland City Hall | 3:30 and 7 p. m.; April 7, Portland City Hall | ||
Auditorium, 9:30 a. m.; Wednesday, April 8, Rumford High School, performances 9:30 a. m. and 1 | Auditorium, 9:30 a. m.; Wednesday, April 8, Rumford High School, performances 9:30 a. m. and 1 | ||
| − | p. m.; Thursday, April 9, York High School | + | p. m.; Thursday, April 9, York High School Auditor- |
ium, 7:30 p. m.; Friday, April 10, Pickard Theatre, | ium, 7:30 p. m.; Friday, April 10, Pickard Theatre, | ||
Bowdoin College, Brunswick, performances 3 and 8 | Bowdoin College, Brunswick, performances 3 and 8 | ||
| Line 72: | Line 82: | ||
School, Lewiston, 10 a. m. and 2 p. m. | School, Lewiston, 10 a. m. and 2 p. m. | ||
| − | MSCAH STAFFER | + | MSCAH[bold] STAFFER[bold] |
| + | |||
Margaret H. Shea joined, this winter, the staff of | Margaret H. Shea joined, this winter, the staff of | ||
the Commission as Arts and Humanities Associate | the Commission as Arts and Humanities Associate | ||
| Line 78: | Line 89: | ||
planning and development of a community arts council | planning and development of a community arts council | ||
packet to aid individuals and groups throughout Maine | packet to aid individuals and groups throughout Maine | ||
| − | who recognize the need for and want help in organ | + | who recognize the need for and want help in organ- |
izing community arts councils. | izing community arts councils. | ||
| + | |||
Mrs. Shea developed the Artists On Tour program | Mrs. Shea developed the Artists On Tour program | ||
for the Commission, which is enjoying success and | for the Commission, which is enjoying success and | ||
| − | is currently researching the status of literary maga | + | is currently researching the status of literary maga- |
zines in Maine in addition to several other projects. | zines in Maine in addition to several other projects. | ||
| + | |||
A resident of Maine for over 20 years, she was a | A resident of Maine for over 20 years, she was a | ||
freelance writer before becoming the first editor of | freelance writer before becoming the first editor of | ||
| − | Down East Magazine, a post she held for over five | + | Down[italics] East[italics] Magazine[italics], a post she held for over five years. During this time at Down[italics] East[italics], she came to know well the vast area of Maine, doing stories on life in the State and on its people, both famous and little known. |
| − | years. During this time at Down East, she came to | + | |
| − | know well the vast area of Maine, doing stories on | ||
| − | life in the State and on its people, both famous | ||
| − | and little known. | ||
Born and educated in Massachusetts, Mrs. Shea | Born and educated in Massachusetts, Mrs. Shea | ||
first responded to the delights and rigors of Maine | first responded to the delights and rigors of Maine | ||
while attending summer camp in York County. Since | while attending summer camp in York County. Since | ||
| − | that time, though she has traveled extensively | + | that time, though she has traveled extensively in this |
country and many parts of Europe, Maine has always | country and many parts of Europe, Maine has always | ||
been "homeport," even during the past nine years | been "homeport," even during the past nine years | ||
in New York City where she worked as a writer and | in New York City where she worked as a writer and | ||
editor. | editor. | ||
| + | |||
A graduate of Smith College, Mrs. Shea is the | A graduate of Smith College, Mrs. Shea is the | ||
author of two books, both with Maine settings: | author of two books, both with Maine settings: | ||
Latest revision as of 14:24, 3 April 2017
PERSPECTIVE[bold] PAGE[bold] 4[bold]
PROFILE[bold]
The career of James M. Carpenter, member of the Maine State Commission on the Arts and Human- ities, has been closed connected with the develop ment of the Art Department at Colby College, Waterville.
Carpenter, in the early 1950's was the sole mem- ber of that department which now consists of four teaching members and a museum director.
Receiving AB and PhD degrees at Harvard Uni- versity, he taught in the Fine Arts Department at Harvard prior to joining the Colby faculty in 1950. He has been Professor of Art and Chairman of the Art Department at Colby since 1954 and was d-i rector of the Art Museum there from its beginning in 1959 to 1966.
Carpenter's teaching has included drawing and painting and now, primarily, art history and criticism. He has supervised many exhibitions at Colby, some of which have traveled to other museums. Among these are "Maine and its Artists" and "Art in the Making," an exhibition of unfinished paintings. He is the author of an article, "Cezanne and Tradition" and a portion of "Maine and its Role in American Art."
Carpenter is a member of the Board of Trustees of Haystack Mountain School of Crafts at Deer Isle and the Board of Governors of the Skowhegan School of Painting and Sculpture.
GRANT-IN-AID[bold]
There is a change in procedure for grant-in-aid applications for Arts and Humanities projects in the fiscal year 1971 (July 1970-June 30, 1971). Deadlines for application submission are set for May 1, 1970, September 15, 1970, and December 1, 1970.
As another change in procedure, the Commission must have more lead time for consideration of pro- jects. Therefore, no project should be scheduled to begin earlier than three months after the submission deadline.
Detailed information for applications and appli- cation blanks may be obtained from the Commission. Obviously, those projects that are submitted for the earliest dates will have the best opportunity for funding. Do not wait for the final date to submit your applications.
PUPPET[bold] THEATRE[bold] SCHEDULE[bold]
Local arrangements are completed for the first performances in Maine by the Smithsonian Puppet Theatre, which will present "A Thousand and One Nights" April 6-12, under the sponsorship of the Commission.
The project is being co-sponsored and adminis- tered by the State Touring Theatre Foundation, Inc. Mrs. Betsey Hinckley of East Winthrop is directly responsible for the administration of the program, which is following tours in New Hampshire and Massachusetts.
The schedule will be as follows: Monday, April 6, Waterville High School auditorium, performances 3:30 and 7 p. m.; April 7, Portland City Hall Auditorium, 9:30 a. m.; Wednesday, April 8, Rumford High School, performances 9:30 a. m. and 1 p. m.; Thursday, April 9, York High School Auditor- ium, 7:30 p. m.; Friday, April 10, Pickard Theatre, Bowdoin College, Brunswick, performances 3 and 8 p. m.; Saturday, April 11, Montello Junior High School, Lewiston, 10 a. m. and 2 p. m.
MSCAH[bold] STAFFER[bold]
Margaret H. Shea joined, this winter, the staff of the Commission as Arts and Humanities Associate and since that time has been working on the research, planning and development of a community arts council packet to aid individuals and groups throughout Maine who recognize the need for and want help in organ- izing community arts councils.
Mrs. Shea developed the Artists On Tour program for the Commission, which is enjoying success and is currently researching the status of literary maga- zines in Maine in addition to several other projects.
A resident of Maine for over 20 years, she was a freelance writer before becoming the first editor of Down[italics] East[italics] Magazine[italics], a post she held for over five years. During this time at Down[italics] East[italics], she came to know well the vast area of Maine, doing stories on life in the State and on its people, both famous and little known.
Born and educated in Massachusetts, Mrs. Shea first responded to the delights and rigors of Maine while attending summer camp in York County. Since that time, though she has traveled extensively in this country and many parts of Europe, Maine has always been "homeport," even during the past nine years in New York City where she worked as a writer and editor.
A graduate of Smith College, Mrs. Shea is the author of two books, both with Maine settings: The Gals They Left Behind, published during World War II, and The Tavern in the Town, which was brought out in 1947.
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