Difference between revisions of ".Mjkz.MjQ2OA"

From DigitalMaine Transcription Project
Jump to: navigation, search
 
(8 intermediate revisions by the same user not shown)
Line 1: Line 1:
[image - Kenneth Roberts]
+
[Black and white photograph of the writer signed to the writer of the article]
Kenneth Roberts, Kennebunk, Maine Author.
+
 
BY ALICE FROST LORD [bold]
+
[Caption] Kenneth Roberts, Kennebunk, Maine Author.
UNTIL yesterday Kenneth Rob-erts to the writer was but a name, a distinguished name, to be sure, but only a name. Mention him and one thought of his long association with the Sat-urday Evening Post as staff cor-respondent, of his novels increasing in fame with the later production of "Arundel", "The Lively Lady" and "Rabbie in Arms", and of his con-nections with Maine as a resident of Kennebunk Beach and an "agita-tor of the people" in the modern cause of roadside and community beautification.
+
 
until yesterday he was a liter-ary light hiding securely under the bushel of a small Maine coast re-sort, as far as personal accessibility is concerned. Banish the thought that Kenneth Roberts could endure living in a nitch in a shrine sought by pilgrims. Seclusion, quiet, a chance to work uninterruptedly, and beauty all around him, in his home, in his study, and thruout the tiny community of which he is so im-portant a part--this is his taste and to a remarkable degree his achieve-ment.
+
BY ALICE FROST LORD
Accent on this situation was giv-en by discovery that no telephone connections link the author with the outside world. No tinkling bell by day or night distracts. Business and social life is pushed back around the poplar corner and over the oak-shade knoll, where the ma-cadam run beachwise and inns and shops cluster.
+
 
Kenneth Roberts keeps his hand on the tiller and sailropes of his days, and manages his precious craft of hours against adverse winds of modern usages and inter-ruptions. One feels the even keel of busy weeks in this study that is a transfigured stable. Hid behind a walled-in court where apple-trees grow Japanese-fashion, flat against the facade, and where pansy bord-ers flourish, he charts and follows his course thru history and romance.
+
Until yesterday Kenneth Roberts
But when one once penetrates his aeclusion, Mr. Roberts surrenders completely to the transient de-mand upon his time. He has been a reporter and special writer, back in his Boston Post days. Under his skin he is sensitive to the feelings of this clan of wandering question-marks, and sympathetic with their struggles against obstacles.
+
to the writer was but a
Morning sunshine outlined the fountain-figure among the flowers, making on think of Maragaret De-land's strange bronze nestled in a birch-cluster at her river-side cot-tage a mile or two eastward. Mrs. Deland was out for an afternoon social affair, later that same day, and could not be seen; but in her cloistered retreat was spied the same engaging garden-statue which has found photographic record by the writer a decade ago.
+
name, a distinguished name,
Thu an arched doorway at the Roberts' study, carefully screened, came the familiar click of type-keys. The author was at his day's work. A tap, and a robust voice called, "come in!"
+
to be sure, but only a name.
What a room! The roof was high. The stable-like size ensured spaciousness, but the tall wall-spaces were broken on two sides by a narrow balcony with slender railing; and an open-stairway leading to the second floor quarters for sleeping also gave access to hang-ing book-cases in which Mr. Rob-erts keeps intimate data on cur-rent books hes writing.
+
Mention him and one thought of
Paintings and old engravings of historical interest caught the eye; but the two impressive features, apart from the man, himself, were an eight-foot eagle that once or-namented with unusual grace of form and line the first supreme court building in this county and which is now hung against the balcony at the rear, and an unique fireplace that projected into the room at the opposite end, some-thing like an Eskimo igloo in white plaster.
+
his long association with the Saturday
An high-backed, tapestry covered chair that might have come out of some palace scraped the boards. The occupant rose alertly--and the welcome, vigorous and warm, was over.
+
Evening Post as staff correspondent,
Beautification [bold]
+
of his novels increasing  
"Our Maine vacationlad!" he ejaculated, with as immediate con-versational dive into the subject nearest his heart, outside of his books.
+
in fame with the later production of
"People may not like to hear it, but all up and down our coast officials are doing their best to wreck the Sate!" There was con-vication here.
+
"Arundel", "The Lively Lady" and
"See what is being done, or not being done, to bring into Maine and keep here the people who are most desirable--people who will es-tablish their summer homes along our coast, pay substantial taxes and ensure the future welfare of the State. Southern Maine is es-tering alomst entirely in tawdri-ness and impermanence. Why, we aren't in Maine until we cross the Kennebec!"
+
"Rabble in Arms", and of his connections
Mr. Roberts needed no jockeying to swing into his pace on this familiar theme. He was on his feet, his eyes flashing, words pouring out with fluency, tho low-spoken after the manner of a gentleman. Talking, he strode around his big chair, and suddenly sat down again.
+
with Maine as a resident
"They tell me the State has com-mitted a new billboard atrocity this season down this way; and look at what summer visitors, whom we invite here, see as they cross this part of the State; Regi-ments of telephone poles! Acres of overnight camps! Winrows of bill-boards, and more billboards! Are they any fewer since the campaign started against them at Augusta? No! Nor have the legislators done more than to license them and drive them back certain distances from the highway. They have not restricted them to commercial areas. Thousands of letters of pro-test in the office of the Maine Publicity Bureau prove that peo-ple with brains regard the billl-boarded sections of southern Maine as residential slums; and a slum never was worth anything to any-body.
+
of Kennebunk Beach and an "agitator
"Do not mistake me," he added as he rose again and backed against table and typewriter, as if by standing he could better visualize the picture before his mind.
+
of the people" in the modern  
"I recognize the right of people to have access to our wonderful ocean front, but not to make a mess of it. Give them parking areas well back from the shore, from which they may walk, as the rest of us summer cottagers walk, to enjoy the beach and rocks! But don't let them make life hideous with their auto-mobiles, their noise and their debris!"
+
cause of roadside and community
Lewiston Journal Aug. 3, 1935
+
beautification.
 +
 
 +
Until yesterday he was a literary
 +
light hiding securely under the
 +
bushel of a small Maine coast resort,
 +
as far as personal accessibility
 +
is concerned. Banish the thought
 +
that Kenneth Roberts could endure
 +
living in a nitch [niche] in a shrine sought
 +
by pilgrims. Seclusion, quiet, a
 +
chance to work uninterruptedly, and
 +
beauty all around him, in his home,
 +
in his study, and thruout [throughout] the tiny
 +
community of which he is so important
 +
a part -- this is his taste and  
 +
to a remarkable degree his achievement.
 +
 
 +
Accent on this situation was given
 +
by discovery that no telephone
 +
connections link the author with  
 +
the outside world. No tinkling bell
 +
by day or night distracts. Business
 +
and social life is pushed back
 +
around the poplar corner and over
 +
the oak-shade knoll, where the macadam
 +
runs beachwise and inns
 +
and shops cluster.
 +
 
 +
Kenneth Roberts keeps his hand  
 +
on the tiller and sailropes of his  
 +
days, and manages his precious
 +
craft of hours against adverse
 +
winds of modern usages and interruptions.
 +
One feels the even keel of
 +
busy weeks in this study that is a  
 +
transfigured stable. Hid behind a
 +
walled-in court where apple-trees
 +
grow Japanese-fashion, flat against
 +
the facade, and where pansy borders
 +
flourish, he charts and follows
 +
his course thru history and
 +
romance.
 +
 
 +
But when one once penetrates his
 +
seclusion, Mr. Roberts surrenders
 +
completely to the transient demand
 +
upon his time. He has been  
 +
a reporter and special writer, back
 +
in his Boston Post days. Under his
 +
skin he is sensitive to the feelings
 +
of this clan of wandering question-marks,
 +
and sympathetic with their
 +
struggles against obstacles.
 +
 
 +
Morning sunshine outlined the
 +
fountain-figure among the flowers,
 +
making one think of Margaret Deland's
 +
strange bronze nestled in a
 +
birch-cluster at her river-side cottage
 +
a mile or two eastward. Mrs.
 +
Deland was out for an afternoon
 +
social affair, later that same day,
 +
and could not be seen; but in her
 +
cloistered retreat was spied the
 +
same engaging garden-statue
 +
which had found photographic
 +
record by the writer a decade ago.
 +
 
 +
Thru an arched doorway at the
 +
Roberts' study, carefully screened,
 +
came the familiar click of type-keys.  
 +
The author was at his day's  
 +
work. A tap, and a robust voice
 +
called, "Come in!"
 +
 
 +
What a room! The roof was
 +
high. The stable-like size ensured
 +
spaciousness, but the tall wall-spaces  
 +
were broken on two sides
 +
by a narrow balcony with slender
 +
railing; and an open-stairway
 +
Ieading to second-floor quarters for
 +
sleeping also gave access to hanging
 +
book-cases in which Mr. Roberts
 +
keeps Intimate data on current
 +
books he ls writing.
 +
 
 +
Paintings and old engravings of
 +
historical Interest caught the eye;
 +
but the two impressive features,
 +
apart from the man, himself, were
 +
an eight-foot eagle that once ornamented
 +
with unusual grace of
 +
form and line the first supreme
 +
court building In this country and
 +
which Is now hung against the
 +
balcony at the rear, and an unique
 +
fireplace that projected Into the
 +
room at the opposite end, something
 +
like an Eskimo igloo In white
 +
plaster.
 +
 
 +
An high-backed, tapestry covered
 +
chair that might have come out of
 +
some palace scraped the boards.
 +
The occupant rose alertly -- and the
 +
welcome, vigorous and warm, was
 +
over.
 +
 
 +
Beautification
 +
 
 +
"Our Maine vacationland!" he
 +
ejaculated, with an immediate conversational
 +
dive into the subject
 +
nearest his heart, outside of his
 +
books.
 +
 
 +
''People may not like to hear It,
 +
but all up and down our coast
 +
officials are doing their best to
 +
wreck the State!" There was conviction
 +
here.
 +
 
 +
"See what is being done, or not
 +
being done, to bring into Maine and  
 +
keep here the people who are most
 +
desirable--people who will establish
 +
their summer homes along
 +
our coast, pay substantial taxes
 +
and ensure the future welfare of
 +
the State. Southern Maine is catering
 +
almost entirely to tawdriness
 +
and impermanence. Why, we
 +
in Maine until we cross the
 +
Kennebec!"
 +
 
 +
Mr. Roberts needed no jockeying
 +
to swing into his pace on this
 +
familiar theme. He was on his feet,
 +
his eyes flashing, words pouring
 +
out with fluency, tho low-spoken
 +
after the manner of a gentleman.
 +
Talking, he strode around his big
 +
chair, and suddenly sat down again.
 +
 
 +
"They tell me the State has committed
 +
a new billboard atrocity
 +
this season down this way; and
 +
look at what summer visitors,
 +
whom we invite here, see as they
 +
cross this part of the State: Regiments
 +
of telephone poles! Acres of
 +
overnight camps! Winrows [Windrows] if billboards,
 +
and more billboards! Are
 +
they any fewer since the campaign
 +
started against them in Augusta?
 +
No! Nor have the legislators done
 +
more than to license them and
 +
drive them back certain distances  
 +
from the highway. They have not
 +
restricted them to commercial
 +
areas. Thousands of letters of protest
 +
in the office of the Maine
 +
Publicity Bureau prove that people
 +
with brains regard the billboarded
 +
sections of southern Maine
 +
as residential slums; and a slum
 +
never was worth anything to anybody.
 +
 
 +
"Do not mistake me," he added,
 +
as he rose again and backed against
 +
table and typewriter, as if  
 +
by standing he could better visualize
 +
the picture before his mind.
 +
 
 +
"I recognize the right of people
 +
to have access to our wonderful
 +
ocean front, but not to make a mess
 +
of it. Give them parking areas well
 +
back from the shore, from which
 +
they may walk, as the rest of us
 +
summer cottagers walk, to enjoy the
 +
beach and rocks! But don't let them
 +
make life hideous with their automobiles,  
 +
their noise and their
 +
debris!"
 +
 
 +
 
 +
 
 +
[Handwritten note:  Lewiston Journal Aug. 3, 1935]

Latest revision as of 04:21, 27 March 2017

[Black and white photograph of the writer signed to the writer of the article]

[Caption] Kenneth Roberts, Kennebunk, Maine Author.

BY ALICE FROST LORD

Until yesterday Kenneth Roberts to the writer was but a name, a distinguished name, to be sure, but only a name. Mention him and one thought of his long association with the Saturday Evening Post as staff correspondent, of his novels increasing in fame with the later production of "Arundel", "The Lively Lady" and "Rabble in Arms", and of his connections with Maine as a resident of Kennebunk Beach and an "agitator of the people" in the modern cause of roadside and community beautification.

Until yesterday he was a literary light hiding securely under the bushel of a small Maine coast resort, as far as personal accessibility is concerned. Banish the thought that Kenneth Roberts could endure living in a nitch [niche] in a shrine sought by pilgrims. Seclusion, quiet, a chance to work uninterruptedly, and beauty all around him, in his home, in his study, and thruout [throughout] the tiny community of which he is so important a part -- this is his taste and to a remarkable degree his achievement.

Accent on this situation was given by discovery that no telephone connections link the author with the outside world. No tinkling bell by day or night distracts. Business and social life is pushed back around the poplar corner and over the oak-shade knoll, where the macadam runs beachwise and inns and shops cluster.

Kenneth Roberts keeps his hand on the tiller and sailropes of his days, and manages his precious craft of hours against adverse winds of modern usages and interruptions. One feels the even keel of busy weeks in this study that is a transfigured stable. Hid behind a walled-in court where apple-trees grow Japanese-fashion, flat against the facade, and where pansy borders flourish, he charts and follows his course thru history and romance.

But when one once penetrates his seclusion, Mr. Roberts surrenders completely to the transient demand upon his time. He has been a reporter and special writer, back in his Boston Post days. Under his skin he is sensitive to the feelings of this clan of wandering question-marks, and sympathetic with their struggles against obstacles.

Morning sunshine outlined the fountain-figure among the flowers, making one think of Margaret Deland's strange bronze nestled in a birch-cluster at her river-side cottage a mile or two eastward. Mrs. Deland was out for an afternoon social affair, later that same day, and could not be seen; but in her cloistered retreat was spied the same engaging garden-statue which had found photographic record by the writer a decade ago.

Thru an arched doorway at the Roberts' study, carefully screened, came the familiar click of type-keys. The author was at his day's work. A tap, and a robust voice called, "Come in!"

What a room! The roof was high. The stable-like size ensured spaciousness, but the tall wall-spaces were broken on two sides by a narrow balcony with slender railing; and an open-stairway Ieading to second-floor quarters for sleeping also gave access to hanging book-cases in which Mr. Roberts keeps Intimate data on current books he ls writing.

Paintings and old engravings of historical Interest caught the eye; but the two impressive features, apart from the man, himself, were an eight-foot eagle that once ornamented with unusual grace of form and line the first supreme court building In this country and which Is now hung against the balcony at the rear, and an unique fireplace that projected Into the room at the opposite end, something like an Eskimo igloo In white plaster.

An high-backed, tapestry covered chair that might have come out of some palace scraped the boards. The occupant rose alertly -- and the welcome, vigorous and warm, was over.

Beautification

"Our Maine vacationland!" he ejaculated, with an immediate conversational dive into the subject nearest his heart, outside of his books.

People may not like to hear It, but all up and down our coast officials are doing their best to wreck the State!" There was conviction here.

"See what is being done, or not being done, to bring into Maine and keep here the people who are most desirable--people who will establish their summer homes along our coast, pay substantial taxes and ensure the future welfare of the State. Southern Maine is catering almost entirely to tawdriness and impermanence. Why, we in Maine until we cross the Kennebec!"

Mr. Roberts needed no jockeying to swing into his pace on this familiar theme. He was on his feet, his eyes flashing, words pouring out with fluency, tho low-spoken after the manner of a gentleman. Talking, he strode around his big chair, and suddenly sat down again.

"They tell me the State has committed a new billboard atrocity this season down this way; and look at what summer visitors, whom we invite here, see as they cross this part of the State: Regiments of telephone poles! Acres of overnight camps! Winrows [Windrows] if billboards, and more billboards! Are they any fewer since the campaign started against them in Augusta? No! Nor have the legislators done more than to license them and drive them back certain distances from the highway. They have not restricted them to commercial areas. Thousands of letters of protest in the office of the Maine Publicity Bureau prove that people with brains regard the billboarded sections of southern Maine as residential slums; and a slum never was worth anything to anybody.

"Do not mistake me," he added, as he rose again and backed against table and typewriter, as if by standing he could better visualize the picture before his mind.

"I recognize the right of people to have access to our wonderful ocean front, but not to make a mess of it. Give them parking areas well back from the shore, from which they may walk, as the rest of us summer cottagers walk, to enjoy the beach and rocks! But don't let them make life hideous with their automobiles, their noise and their debris!"


[Handwritten note: Lewiston Journal Aug. 3, 1935]