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Hartley, Marsden | Hartley, Marsden | ||
| − | Mr. Hartley's parents, although born in England, | + | |
| − | are now naturalized citizens of the United States. | + | Mr. Hartley's parents, although born in England, are now naturalized citizens of the United States. |
| − | At the age of fifteen, after completing a grammar | + | |
| − | school education, | + | At the age of fifteen, after completing a grammar school education, he started his art studies at the Cleveland School of Art. Later be went to New York on a scholarship where he spent his first year in the Chase School studying under Luis Mora and William Chase. The following four years were spent at the National Academy of Design as a contemporary of Maurice Sterne and others. |
| − | Cleveland School of Art. Later be went to New York | + | |
| − | on a scholarship where | + | Through the Swiss impressionistic realist, Segantini, he first learned how to begin painting the Maine mountains at Center Lovell and North Lovell. |
| − | Chase School studying under Luis Mora and William Chase. | + | |
| − | The following four years were spent at the National | + | In Europe he spent four years in Berlin and various intervals in France, returning to the United States in 1930. His reason for painting is "clarification of self." |
| − | Academy of Design as a contemporary of Maurice Sterne | + | |
| − | and others. | + | Mr. Hartley is represented in the following collections: Phillipa Memorial Gallery, Barnes Foundation, Ferdinand Howald, Alfred Stieglitz, Paul Rosenfeld, Mrs. Alma Wertheim, Herbert Seligmann and others. |
| − | Through the Swiss impressionistic realist, Segantini, he first learned how to begin painting the Maine | ||
| − | mountains at Center Lovell and North Lovell. | ||
| − | In Europe he spent four years in Berlin and | ||
| − | various intervals in France, returning to the United | ||
| − | States in 1930. His reason for painting is "clarification of self." | ||
| − | Mr. Hartley is represented in the following | ||
| − | collections: Phillipa Memorial Gallery, Barnes Foundation, Ferdinand | ||
From: | From: | ||
| Line 22: | Line 15: | ||
MODERN AMERICAN PAINTERS by | MODERN AMERICAN PAINTERS by | ||
Samuel M. Kootz | Samuel M. Kootz | ||
| − | |||
| − | |||
Latest revision as of 15:33, 12 October 2017
Hartley, Marsden
Mr. Hartley's parents, although born in England, are now naturalized citizens of the United States.
At the age of fifteen, after completing a grammar school education, he started his art studies at the Cleveland School of Art. Later be went to New York on a scholarship where he spent his first year in the Chase School studying under Luis Mora and William Chase. The following four years were spent at the National Academy of Design as a contemporary of Maurice Sterne and others.
Through the Swiss impressionistic realist, Segantini, he first learned how to begin painting the Maine mountains at Center Lovell and North Lovell.
In Europe he spent four years in Berlin and various intervals in France, returning to the United States in 1930. His reason for painting is "clarification of self."
Mr. Hartley is represented in the following collections: Phillipa Memorial Gallery, Barnes Foundation, Ferdinand Howald, Alfred Stieglitz, Paul Rosenfeld, Mrs. Alma Wertheim, Herbert Seligmann and others.
From:
MODERN AMERICAN PAINTERS by Samuel M. Kootz